SEARCH RESULTS FOR: Bruno Walter
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1876–1962 German conductor After conducting at the Vienna Court Opera, Walter was music director at the Munich Opera 1913–22, and at the Städtische Oper, Berlin 1925–29. He worked at the Vienna Opera in the 1930s, but left Austria after the Anschlüss and settled in the US. He conducted regularly at Covent Garden 1924–31, and at the ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Sir Walter Scott was perhaps the most popular literary figure in Europe in the 1820s. His adventurous tales set in chivalrous times captured an atmosphere of romance and mysticism, and exploited the vogue for Scottish subjects which was enveloping Europe. Rossini’s La donna del lago (‘The Lady of the Lake’, 1819), was the first successful opera derived from Scott’s works. ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Tuba, bass, 1900–57) By the end of the 1930s Walter Page had brought the usually subordinate roll of the bass to a position of critical importance without substantially expanding its time-keeping function. As a component of the unique Count Basie ‘all-American’ rhythm section from 1936–42, he produced a large, round but never percussive attack, whose ringing ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Harmonica, vocals, 1918–61) Walter Horton was born in Horn Lake, Mississippi. He taught himself harmonica at the age of five and was working the streets shortly thereafter. He moved to Chicago in 1940 but it wasn’t until later in the decade that he began to be more active professionally. Horton replaced Junior Wells in the Muddy Waters Band ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Harmonica, vocals, 1930–68) Marion Walter Jacobs was born in Marksville, Louisiana. He taught himself harmonica at the age of eight and was working the New Orleans streets by the time he was 12. He worked in Helena, Arkansas (where he met Rice Miller) and St. Louis before arriving in Chicago in 1946. He was encouraged by guitarists ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Guitar, vocals, b. 1943) This New Orleans guitarist started out accompanying R&B singers, but as a leader in the 1970s he developed a strong local following and gradually crossed over to wider audiences through appearances at the New Orleans Jazz & Heritage Festival. He debuted on Rounder Records in 1986 with the funky Wolf Tracks, following up ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Guitar, vocals, b. 1951) In a BBC radio poll, blues rocker Trout was ranked number six among the top 20 guitarists of all time. Not bad for an Ocean City, New Jersey native who worked for decades as a sideman with John Lee Hooker, Big Mama Thornton, Canned Heat and John Mayall before forming his ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

1894–1976 American composer Piston studied in Paris with Nadia Boulanger and Dukas, then taught at Harvard University (Leonard Bernstein and Elliott Carter, 1908–2012, were among his pupils), publishing several composition textbooks. His music, including eight symphonies, is neo-classical, athletically energetic and graceful. Recommended Recording: The Incredible Flutist, New York PO (cond) Leonard Bernstein (Sony) ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

1895–1956 German pianist Born in France to German parents, Gieseking was particularly associated with the music of Debussy and Ravel. He studied in Hanover, where he performed a near-complete cycle of the Beethoven sonatas. His recitals in the 1920s included much contemporary music, and he was admired as an interpreter of Mozart and Beethoven. Introduction | Modern Era ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

1867–1957 Italian conductor Trained as a cellist, Toscanini was artistic director of La Scala, Milan 1898–1903, 1906–08 and 1920–29, and of the Metropolitan Opera, New York 1908–15. A strict disciplinarian, he inspired devotion for his artistic integrity, his respect for the composer’s intentions and the electricity of his performances. He conducted the New York ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

1897–1957, Austrian The son of music critic Julius Korngold, Erich was declared a genius aged nine by Gustav Mahler. Four years later, Korngold wrote a ballet pantomime, Der Schneemann (‘The Snowman’, 1910), orchestrated by his teacher Zemlinsky. The work drew the admiration of Puccini and Strauss, both of whom were already major influences on Korngold’s compositional ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

1918–90, American A hugely talented composer and conductor, Bernstein inspired the American music scene with his passion and flamboyance. Born in Massachusetts and essentially self-taught on the piano, he studied at Harvard and became an overnight sensation when stepping in for ailing New York Philharmonic conductor Bruno Walter in November 1943. Success as a composer followed, ranging ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

1888–1976, American One of modern opera’s great singers, Lehmann’s performances of Robert Schumann’s songs were renowned. She created the roles of the composer in Ariadne auf Naxos, the Dyer’s Wife in Die Frau ohne Schatten and Christine in Intermezzo, all by Strauss. Although her true artistic home was Vienna, she made an auspicious debut as Sieglinde ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

The first half of the nineteenth century was essentially a period of insurgence in Europe, from the French Revolution in 1789 to the series of uprisings that rocked the continent around 1848. Meanwhile, the Industrial Revolution was also underway, beginning in Britain, then spreading south through the rest of Europe. With these two strands of revolution came ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

The early nineteenth century was a period of insurgence in Europe, beginning with the French Revolution in 1789 to the uprisings in 1848. The Industrial Revolution, which began in Britain before spreading south to the rest of Europe, was also making its mark. These two strands of revolution caused transformations in society: growing awareness of national identity, ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie
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